Raw materials, which remain forever concealed, which are aesthetically undesirable or destined to be discarded are now elevated to aesthetic carriers of meaning. As they are morphing into elegant letters, shaped and reshaped, they are assuming a new role of… soundless tombs: witnessing and accusing. Words, now purposely deconstructed into oblivion and beyond “recognition”, “signing” to us with oscillating ambiguity.

Cut Back Series 2, no12, 2016. - Off Cuts
Plywood and Acrylic
10.5x10.5 inch

Cut Back Series 2, no11, 2016. (Unconditional Love 4 Sale)
Plywood and Acrylic
21x10.5 inch

Cut Back Series 2, no10, 2014. (HAHAHAHA)
Plywood and Acrylic
17x11 inch.

Cut Back Series 2, no9, 2014. (HAHAhahaHAHA)
Plywood and Acrylic
26.5x15 inch.

Cut Back Series 2, no8, 2014. (Needs a Job)
Plywood and Acrylic
14x9 inch.

Cut Back Series 2, no7, 2014. (Bum a Smoke)
Plywood and Acrylic
15x9 inch.

Cut Back Series 2, no6, 2014. (Hot Dog Buns)
Plywood and Acrylic
16x14 inch.

Cut Back Series 2, no5, 2014 (Love This Shit OK)
Plywood and Acrylic
16.5x11.5 inch.

Cut Back Series 2, no4, 2014. (Thankyou Thankyou Fuckyou)
Plywood and Acrylic
26.5x14 inch.

Cut Back Series 2, no3, 2014. - Off Cuts
Plywood and Acrylic
11.5x11.5 inch.

 Cut Back Series 2, no2, 2014. (Abstract Thought)
Plywood and Acrylic
16.5x21.5 inch.

Cut Back Series 2, no1, 2014. (Supercalifragilisticexpialidocious)
Plywood and Acrylic
21x17 inch.

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